Honours Thesis

I will eventually put the whole thing online.

The Outer Soundtrack as the Inner Soundtrack: the musical equivalent to interior monologue.

Table of Contents

Abstract
Introduction
1.0 Research Context
1.1 Film Music
1.1.1 A Clockwork Orange
1.1.2 The Music
1.1.3 The Characters
1.1.4 Literature Review
1.1.5 10 Things I Hate About You
1.1.6 The Music
1.1.7 The Characters
1.2 Audiation
1.2.1 Musical imagery
1.3 The Sonic Structure (The Individual Sonic Capacity of the Listener)
1.3.1 The beginning of hearing (prenatal auditory experience)
1.3.2 The development of the musical memory
1.3.3 Music, emotion and meaning
1.4 The Leitmotif, or theme
1.5 The Character
1.6 Psychoanalysis and (Film) Music
1.7 Pilot Study
1.8 Summary
2.0 Methodology
2.1 Interpretative Paradigm
2.2 Case Study Design - Questions and Assumptions
2.3 Method
2.4 Parameters for Audiation